| Nat "King"Cole was
one of the greatest ballad and jazz singer of his time, I
considered him my mentor to some extent. Nat "King" Cole was
born "Nathaniel Adams Coles" in Montgomery Alabama on March 17,
1919. His parents, the Reverend Edward J. Coles and his mother
Perlina, moved the family to Chicago when he was 4 yrs old,
during which time he taught himself to play the family piano.
His mother furthered his musical development, then turned over
the reins to a teacher, who was also the mother of another
future jazz great, bassist Milt Hinton.
In those days Chicago was bursting
with music. Lingering in the alley outside the "Grand Terrace
Cafe" young Nat absorbed the performances of his idol Earl Hines
and clarinetist Jimmy Noone. (Nat later put his own stamp on
Noone's theme song, "Sweet Loraine") He later followed his three
brothers (Eddie, Freddy and Ike) into the music profession. Both
older brothers Eddie and Nat each formed their own groups
dropping the "s" from Coles for their stage names. They joined
forces in 1936, and shortly thereafter Nat went out on his own.
Nat met and married a dancer named Nadine Robinson. They
traveled with a touring production of the revival of the revue
"Shuffle Along", and settled in Long Beach CA when the show
ended.
In 1937 Nat managed to put
together a trio with guitarist Oscar Moore and bassist Wesley
Prince. The group should have been a quartet, but drummer Lee
Young bowed out on the night of their first engagement at the "Swanee
Inn" in LA. The "King Cole Trio" was born.
While at the "Swanee ", popular
demand stretched what should have been a 4 week run into 6
months, the group was then poised for a breakthrough. Among
their travels was a stint with Billie Holiday at "Kelly's
Stable" in N.Y. Returning to L. A. they settled into the 331
club. It was during this time that they had their first
opportunity to record for Decca Records. In December 1940 they
recorded a total of 16 sides, none of which created that first
spark of widespread recognition. A song writer and recording
entrepreneur named Robert Sherman approached Nat at the Club and
persuaded the Trio to record one of his compositions, a song
called " All For You" which was released by Sherman's own small
company. (this, in the pre-Capitol era) Despite limited
distribution the song sold impressively well, and along with
Nat's well connected personal manager, Carlos Gastel, it landed
the Trio a contract with newly formed Capitol Records in 1943.
In 1944 "Straighten Up And Fly
Right", their first recording for Capitol, became a top ten
success. (Nat later sold it for $50.00) From that point on, his
singing with the group gave way to his rapidly evolving vocal
skills and he became quite popular, particularly after "The
Christmas Song" was released in 1946 and especially when "Nature
Boy" was released in 1948. Nat was on his way.
1948 was an important year in his
life, Nat obtained a divorce from Nadine and married Maria
Ellington, a former band singer who worked with Duke Ellington,
(no relation to the Duke. Incidentally, I was fortunate enough
to have worked with the "Duke" on a concert at the Kingston
Parish Church. (In Jamaica) She too had made some very
impressive recordings of her own I understand. Nat's career
changed permanently in early 1950 with the recording of "Mona
Lisa" which became a number one hit and remains quite popular
today.
Nat and his wife Maria had 3
children, Carol (nicknamed "Cookie"), Natalie ("Sweetie") and
son Kelly. His unparalleled popularity launched him into movies
and television, where he became the first African American with
a weekly network series during 1956-57 and the star of "St.
Louis Blues", a movie in which he portrayed one of his musical
heroes, W.C. Handy. The popularity of his records and public
appearances remained at a remarkable level during that time. Nat
also had his own motion picture firm called "Kell-Cole
Productions".
He was a great influence on jazz.
Many of the young stars of his time, guys like Red Garland,
Oscar Peterson, and Bill Evans, (to name a few) list Nat and his
records of the forties, as their earliest influences. In 1985 he
was inducted into the Alabama Music Hall of Fame. He had sold
over 50 million records for Capitol Records causing the
company's famed Hollywood office building to become known as the
"Tower that Nat Built." In 1956 after a concert at Alabama's
Birmingham Municipal Auditorium, he was attacked by six men from
the white citizen's council sustaining minor injuries to his
back. His famous song "Unforgettable" is to be a part of the
states new tourism campaign and will replace the old theme,
"Stars Fell on Alabama". It is intended to draw visitors to the
state.
The early 40's saw Nat King Cole
create jazz masterpieces with Lester Young and Red Callender. In
1937 when he formed the King Cole Trio, his publicist Carlos
Gastel, placed a tin foiled crown on his head and proclaimed him
"King" when Capitol signed him. He later toured Europe and made
a command performance before Queen Elizabeth II. This, for those
of you wondering how the "King" came about. Nat mostly performed
with the Trio during this era. Johnny Miller took over on bass
and in 1947 Irving Ashby became the guitarist. Nat Cole was open
to the influence of bop (as it was then called) and in 1949
utilized Jack Costanzo on bongo and conga for some songs.
Nat King Cole must be one of the
most emulated singers today... his clear diction and liquid
vocal style is truly "Unforgettable". In early 1965 the world
mourned Nat "King" Cole's death. He died from lung cancer in
Santa Monica CA, on February 15, 1965 and was buried at Forest
Lawn (Glendale) among his peers, and next to Jeanette MacDonald.
He continues to be missed.
The following story was brought
to my attention by a NKC fan I have no idea as to it's validity
as yet. If anyone can confirm this please send me an email:
"One night. at 11:30 PM, an older African American woman was
standing on the side of an Alabama highway trying to endure a
lashing rain storm. Her car had broken down and she desperately
needed a ride. Soaking wet, she decided to flag down the next
car. A young white man stopped to help her - generally unheard
of in those conflict-filled 1960's. The man took her to safety,
helped her get assistance and put her into a taxi cab. She
seemed to be in a big hurry! She wrote down his address, thanked
him and drove away. Seven days went by and a knock came to the
man's door. To his surprise, a giant consloe TV was delivered to
his home. A special note was attached. it read: Thank you so
much for assisting me on the highway the other night. The rain
drenched not only my clothes but my spirts. Then you came along.
Because of you, I was able to make it to my dying husbands
bedside just before he passed away. God bless you for helping me
and unselfishly serving others. Sincerely, Mrs Nat King Cole". |